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For 2023 – 2024 the TCNJ School of Education and the Department of English are offering workshops for Elementary, Middle and Secondary English Language Arts teachers.

Please use this link for parking, directions and location information: https://tpd.tcnj.edu/day-of-workshop-information/

Lunch and Learns

Poetry for Engaging Young Thinkers in the Elementary Classroom
February 9, 2024

Curious about incorporating more poetry into your curriculum? Want some ideas for how poetry can activate your lessons, not only in reading/writing but also in other subject areas? In this “working lunch” workshop intended for elementary and middle-school teachers, we’ll look at how published poems and also creative writing prompts can activate and inspire your learners. Poems ask for close attention to craft, sound and sense. We’ll look at elements of craft, poems as puzzles, journaling prompts, collaborative writing, feedback and revision activities, all designed to fit flexibly into your learning goals. We’ll also look at published poems written by diverse authors and in a wide range of styles and topics. Poetry can be a powerful tool to engage students, to encourage collaboration and reflection, and to ignite your students’ imaginations. Intimidated by poetry? Rather than demanding that we “understand” every aspect of a poem, we’ll practice and get comfortable taking poems apart to see how they are made, allowing ourselves to find the questions the poem suggests we ask, in the process. The best poetry asks of readers of all ages is to become more aware, communal thinkers: to notice our likes and dislikes, to question those, to be curious as to how other readers respond, and to be willing to revise and expand our interpretations. Come ready to read, compose, sample some activities and lesson plans, brainstorm, and play.

Poetry for Critical Thinking in the High School Classroom
February 16, 2024

Want to incorporate more poetry into your curriculum, but not sure where to start? In this morning workshop we’ll look at some approaches to poetry as literature and creative writing, designed to challenge and inspire your students and fit flexibly into curriculum goals. We’ll work closely with particular elements of craft, introduce close reading practices, and will look at a range of published poems and prompts from diverse authors written in many different literary styles, all suited to the high school classroom. Poetry can be a powerful occasion for critical thinking. In grappling to make sense of a poetic text, students must practice close-reading, collaboration, inquiry, creative risk-taking, experiment, and frustration tolerance as they approach the unknown. Meanwhile, composing poetry demands that students practice reflection, imagination, getting past the first thought, revising, perspective taking, courage, and active listening. Come ready to roll up your sleeves and try out some exercises alongside fellow educators!

Both Lunch and Learns are led by: Laura Neuman
Laura  is a writer and educator with a background in dance and somatics. Laura has taught graduate and undergraduate courses in literature and creative writing at The College of New Jersey since 2016, and previously taught creative writing and composition at Temple University, Community College of Philadelphia, and Highline Community College in Des Moines, Washington. She has published three collections of poetry, and holds a Masters of Fine Arts in Writing from Bard College and a Masters in English (Creative Writing, Poetry) from Temple University. In 2018, Laura earned a first-year certificate from The Trauma Institute for the year one professional training in Somatic Experiencing, a somatic technique that fosters nervous system regulation.

Registration and Payment Information

Standard Fee: $195.00 per person per workshop
PDSN member Fee: $175.00 per person per workshop
Includes lunch, parking, workshop materials, certificate of completion
Times:  11am – 2pm
Location: TCNJ Ewing Campus

Online registration on Eventbrite is required at: https://bit.ly/TCNJpoetrylunchandlearns
You do not need a PO# to register
If paying by purchase order – please select “pay by voucher”
Please contact us if you need an invoice for a PO to be created.

Payment Information/Timeline:
Purchase Order must be received  7 days prior to the date of your workshop
Accepted form of payments are
Purchase Order\ Check/Money Order\Credit Card(Eventbrite only)
Payable To: The College of New Jersey or TCNJ
Mail to: The College of New Jersey PO Box 7718 Ewing, NJ 08628-0718 Education – Room 108
You may email or fax purchase orders to aspire@tcnj.edu, f. 609.637.5196. For any questions please contact George at aspire@tcnj.edu or 609.771.2540

The following are part of the Scholars Engagement Series, a summary is provided below. For complete details please visit: Scholars Engagement Seminars

English Language Arts – For ELA Secondary 6 -12

Building Students’ Reading Skill and Engagement Using Critical Lenses 12/12/23

In this seminar, participants will explore the ways in which secondary students’ reading of fiction and non-fiction texts can be enhanced through the use of critical lenses that frame their encounters with texts. Participants will be introduced to a variety of lenses, apply critical lenses in a reading of a middle grade novel, and explore ways to enrich their own curriculum using a critical lens approach.

Environmental Children’s Literature – 2/6/23

In 2020, New Jersey became the first state in the country to adopt K-12 climate change standards. The adoption of these standards has created opportunities for curricular change in English Language Arts as well as the development of innovative and interdisciplinary units of study that integrate children’s, middle grade, and young adult literature, both fiction and non-fiction. This workshop will provide a critical introduction to this literature as well as a variety of teaching tools to engage student readers and writers.

Reading and Writing the Contemporary Essay – 12/5/23

While secondary English classrooms are often spaces in which students engage in literary analysis by writing argumentative, thesis-driven essays, there are other ways in which they might write to learn about literature and other topics of personal relevance. One traditionally under-used, but valuable genre is the contemporary essay. This workshop will provide a rationale for teaching the contemporary essay, introduce participants to its form(s), offer multi-modal example essays for consideration, and develop teachers’ comfort writing in this genre.* John Green’s The Anthropocene Reviewed is the book for this seminar.

The following professional development will be offered in the future and are currently available for In District Professional Development:

Teaching LGBTQIA* Literature in Secondary Schools

New Jersey public schools are now legally responsible for providing a LGBTQ-inclusive curriculum and teaching middle and high school students about the political, economic, and social contributions of lesbian, gay, bisexual and transgender people. As a result, New Jersey teachers have a unique opportunity to explore gender and sexuality not only in history classes, but across the curriculum.

We will examine how teachers might invest secondary English classrooms with LGBTQ literature as well as methods for teaching it. Using seminal concepts from gender and queer theory as close-reading lenses, participants will investigate how theory is experienced – as embodied, lived, and real – in the lives of the characters in these books. Participants will also explore how to make these concepts accessible to secondary students by examining models of curriculum with LGBTQ content currently in place in local schools. Approaches relevant to whole-class novel, book club, or reading/writing workshop models of instruction will be discussed.

The Power of Story

In Minds Made for Stories, author and educator Tom Newkirk argues that narrative is “the deep structure of all good writing” (19). Although many K-12 standards, including the NJ ELA standards and the CCSS, distinguish between narrative and informational text as well as narrative, informational, and argumentative writing, Newkirk troubles these categories, asserting they are not as clear cut as they might seem. We instinctively use story “to inform, to persuade, to entertain, to express” (6); we use story to make sense of the world and our own place in it. Narrative is “a property of mind, an innate and indispensable form of understanding” (34). We will explore the power of story in the texts we read, write, and teach.

Teaching Drama Without Fear

Drama is a genre particularly well-suited to classroom study and yet often neglected. Drama is a communal genre – written to come to life through a company of performers and artists and to be played before a crowd of patrons. Unlike the novel, which is written to be privately appreciated, drama lends itself to classroom study and exploration. This program is designed to increase teachers’ confidence and resources in reading, analyzing, teaching, and critiquing drama from the Western tradition.

Teaching Poetry Without Fear

Attendees will develop greater confidence teaching poetry; understand and appreciate poetic texts as literature; expand their own critical repertoire and be able to deploy that expanded critical toolkit in designing and delivering material to their students; participate in a community of teachers that promotes curiosity and inquiry and that offers mentorship from experts in poetry, the English language, and pedagogy.

Exploring and Writing the Contemporary Essay

While secondary English classrooms are often spaces in which students engage in literary analysis by writing argumentative, thesis-driven essays, there are other ways in which they might write to learn about literature and other topics of personal relevance. One traditionally under-used, but valuable genre is the contemporary essay. This workshop will provide a rationale for teaching the contemporary essay, introduce participants to its form(s), offer multi-modal example essays for consideration, and develop teachers’ comfort writing in this genre. John Green’s The Anthropocene Reviewed is the book for this seminar.

Poetry Mentor Texts in the Secondary ELA Classroom

Poetry, argues author Jason Reynolds, “is created to love young adults, and for them to love.” But to love poetry, students must have increased access to it. They must spend more time with it. They must stop being polite, and as poet Eve Mirriam instructs, “Bite in.” This interactive workshop seeks to help secondary ELA teachers and students do just this. Together we will explore three different strategies for incorporating poetry into secondary English classrooms. Participants will have the opportunity to read, discuss, write, and workshop poems that they can then incorporate into their instruction.

Building Students’ Reading Skill and Engagement Using Critical Lenses

In this seminar, participants will explore the ways in which secondary students’ reading of fiction and non-fiction texts can be enhanced through the use of critical lenses that frame their encounters with texts. Participants will be introduced to a variety of lenses, apply critical lenses in a reading of a middle grade novel, and explore ways to enrich their own curriculum using a critical lens approach. Kacen Callender’s King and the Dragonflies is the book for this seminar.

Beyond Question & Answer: Supporting Engaged Literature Discussions: grades 4-8

Asking students open-ended questions about what they read can be a wonderful way to initiate a literature discussion; but often, students may perceive teacher-initiated reading questions to be just another test in disguise. The I-R-E approach (teacher Initiates, student Responds, teacher Evaluates) may unintentionally create a high-stakes environment in which students hesitate to speak up, afraid to give the wrong answer.

This workshop will model activities and techniques to better support all students to engage in classroom discussion that moves beyond comprehension checks and toward more authentic dialogue. Attendees will be asked to participate in silent discussion circles, question sorts, small group structured discussions and other activities based on brief readings completed during the workshop. We will also explore several low-stakes, writing response activities such as poetry re-mix, and consider how to build discussion from students’ textual responses.

Sharing our response to literature is a huge part of the joy of reading and an essential component in encouraging life-long reading habits. The goal of this workshop is to offer some practical ideas to implement more joyful, accessible, and inviting classroom discussions for even the most reluctant students. Books to be used in this seminar are:

    • Marshmallow Clouds: Two Poets at Play Among Figure of Speech by Ted Kooser & Connie Wanek
    • Firefly July: A Year of Very Short Poems by Janeczko
    • Sweet Out of Wonder by Kwame Alexander

 

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